↖ All Projects

There's No Place Like Home

There's No Place Like Home

There's No Place Like Home

A 3D film shot from outside a window on a Christmas evening — about the view, and the distance it holds.

A 3D film shot from outside a window on a Christmas evening — about the view, and the distance it holds.

Client

Personal Project

Period

Dec 2022

Tools

Cinema 4D

Octane

After Effects

Marvelous Designer

Services

Motion Design

3D Modeling

Cloth Simulation

Lighting

Outside the window.

Outside the window.

Outside the window.

Looking in.

Looking in.

Looking in.

Three decisions.

Three decisions.

Three decisions.

About where the camera stands.

About where the camera stands.

About where the camera stands.

01 — Vantage Point

Outside,

looking in.

The camera stays outside the window for the entire film. There is no cut in, no interior shot. The frame is fixed against the glass.

The Decision · 01

02 — Concealment

Lace curtains,

half-drawn.

Lace curtains cover most of the window. The room is visible only in fragments — a corner of a table, the edge of a tree, the flicker of a candle.

The Decision · 02

03 — Absence

No one

in the room.

A set table, two wine glasses, a tree decorated with care. But no one is in the room. The scene is prepared and left alone.

The Decision · 03

02

Chapter — Craft

Two craft problems.

Two craft problems.

Snow and curtains.

Snow and curtains.

Snow making process

Translucency, displacement, and edge breakup tuned across the falling flakes and the piles on the sill.

Curtains over glass,

Curtains over glass,

moving against wind.

moving against wind.

Curtain simulation and window render

opacity, fold, and interior lighting developed together rather than in separate passes.

An email

An email

from Italy.

from Italy.

Audio Bottega · Lucca, Italy · January 2023

"Yes, we can start with that video — the format .mp4 1920×1080 is perfect. As soon as you have new animation, feel free to send it to us."

— James Micheli, co-founder, Audio Bottega

Takeaways.

Most of the decisions on this project were about what not to include. No interior shots, no people, no full view of the room, no camera movement. The film works because it stays still and stays outside.

The technical choices — volume snow, Marvelous Designer curtains — were made to support that restraint, not to show them off. The tools matter only because they made the simpler idea possible.

© Sydney Hong 2026 — Portfolio